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(Vocals, piano, b. 1979) An overnight sensation, Norah Jones’s debut album Come Away With Me (2002) won numerous Grammy Awards and its sales revitalized Blue Note Records. Introduced by her mother to Billie Holiday’s music, Jones won Down Beat Student Music Awards in 1996 and 1997 and studied jazz piano at North Texas State University prior to ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, b. 1979) Despite being the daughter of superstar Ravi Shankar, Geetali Norah Jones Shankar is more jazz than world musician. Her debut Come Away With Me (2002) fuses elements of folk and soul into the genre, topped off with her sultry vocals, sounding as if they were beamed in from a smoky cellar bar. Her ability ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Alternative-metal guitarist Adam Jones (b. 1965) was born in Park Ridge, Illinois. He learned violin in elementary school, continuing with the instrument in high school, before playing acoustic bass for three years in an orchestra and later teaching himself guitar by ear. Jones studied art and sculpture in Los Angeles before working in a Hollywood character shop sculpting ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Drums, 1911–85) Few players have defined a big band from the drum chair as strongly as Jonathon ‘Jo’ Jones did with Count Basie. When the first Basie records came out in 1937, their rhythm section was both a revelation and a revolution – and brought jazz drumming into a new, more sleek modernity. A master of the steely ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Trumpet, vocals, 1909–2000) By the time Jonah Jones came to prominence on New York’s 52nd Street, he had developed a fierce, intense attack that suggested Roy Eldridge without the high notes. He played and recorded with Stuff Smith from 1936–40 and on sessions with Teddy Wilson, Billie Holiday and Lionel Hampton. He worked with Cab Calloway ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Trumpet, arranger, b. 1933) Quincy Jones started out as a trumpet player but first achieved public acclaim as an arranger and subsequently went on to earn an even greater reputation as a record producer for artists including Aretha Franklin and Michael Jackson. He began arranging with Lionel Hampton in 1951 and toured as music director of Dizzy Gillespie’s big ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1927–2004) Powerhouse drummer Elvin Jones was the engine of John Coltrane’s legendary quartet in the 1960s, appearing on most of the saxophonist’s most popular recordings. He was the younger brother of pianist Hank and trumpeter Thad Jones and had worked with Bud Powell, Miles Davis, Sonny Rollins and J.J. Johnson prior to joining Coltrane. A ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Flugelhorn, cornet, valve trombone, 1923–86) The middle brother in Detroit’s musical Jones family, Thad Jones joined older sibling Hank at age 16 and, after wartime service, played with younger brother Elvin in Billy Mitchell’s band. He rose to prominence with Count Basie during a nine-year tenure (1954–63), but he became best known for the 13-year ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, banjo, 1913–98) Born in Niagara, Kentucky, Louis Marshall Jones was one of the Grand Ole Opry’s most beloved figures for more than 50 years, as well as a popular cast member of Hee Haw, a nationally syndicated country-music television comedy show that aired from 1969 to 1994. Styles & Forms | War Years | ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Born on 12 September 1931, near Saratoga, Texas, in a remote region of East Texas known as The Big Thicket, George Glenn Jones is widely considered to be country music’s quintessential honky-tonk singer and probably the most influential artist to come along since Hank Williams’ death in 1953. Throughout his 50 years of record-making, Jones has ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, b. 1940) This Welshman’s piledriving but flexible baritone was first heard by the world at large on 1965’s ‘It’s Not Unusual’, a UK No. 1 that also reached the Top 10 in the States. A lean period ended with ‘Green, Green Grass Of Home’ at the top at home and high in the US Hot 100. Further hits ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Singer-songwriter, b. 1975) The acoustic musings of Jack Johnson have a laid-back feel that betray a lifetime dedicated to surfing and skateboarding. Indeed, until an accident Johnson was a professional surfer himself, but subsequently became a musician. Unsurprisingly, this Hawaii-born surfer was a hit in Australia before the rest of the world, but his third album ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Born Ray Charles Robinson on 23 September 1930 in Albany, Georgia, Charles suffered from glaucoma from the age of five and was blind by the time he was seven. His mother was unable to look after him and he moved away to the Institute for the Blind, Deaf and Dumb in St Augustine, Florida. He learned to ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Piano, composer, b. 1971) Raised in Rochester, New York, Vijay Iyer started Suzuki violin lessons at the age of three and taught himself to play piano. He performed professionally while pursuing advanced studies at Yale and the University of California, Berkeley and moved to New York in 1998, having released two albums and toured with ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The impact of rap on the rock market was everywhere to be seen in the first years of the new millennium. White artists, black artists and rock bands attempting to incorporate the style made this area the biggest musical melting pot since the 1950s. The means by which music was accessed switched from CD to downloading from the internet, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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